Tanibis has now published Awaiting the Collapse: Selected Works 1974-2014, a gorgeous compendium of some of Kirchner's finest work over the past four decades. Many of Kirchner's Dope Rider strips are here, along with a handful of his covers for Screw, as well as miscellaneous comics in different genres. Despite the range of years and variety in genres here, Kirchner's surrealist spirit dominates. His comics poke at the weird worlds that vibrate beneath the surface of our own routine reality, offering new ways of seeing old things, to see the real as surreal. Kirchner was born in New Haven, Connecticut. He attended Cooper Union School of Art but left in his third year, when, with the help of Larry Hama and Neal Adams, he began to get work in the comic book industry. [1] Career [ edit ] Comics [ edit ] Paul Kirchner's Shaman, from Heavy Metal Kirchner lives in Connecticut with his wife, Sandy Rabinowitz, an illustrator specializing in equine art. They have three adult children. [5] Bibliography [ edit ] Comics [ edit ] Filthiest Sludge record I've ever been deafened by!! Riffs are disgustingly heavy, the pounding of the drums is ferocious, the bass is gnarly as shit, & the vocals are pure evil!! ALL HAIL DOPETHRONE🤘 TheMetalheadGuy go to album

Paul Kirchner - Wikipedia

He penciled stories for DC's horror line and assisted on Little Orphan Annie for Tex Blaisdell, who took over the strip after the death of Harold Gray. Paul Kirchner (born January 29, 1952) is an American writer and illustrator who has worked in diverse areas, from comic strips and toy design to advertising and editorial art.Kurokuma have done a great job of capturing the nomad style of Dope Rider and shaping it into audio form, adding their own unique spin to the tunes which also perfectly fits the DP character. Top stuff. This insight---that a more colorful, more surreal world is available to us via imaginative perspective---is threaded throughout Kirchner's cult classic strip The Bus, which originally ran in Heavy Metal between 1979 and 1985. The Bus, which centered on a mundane hero's fanciful duel with the banality of everyday existence, found a second life on the internet through pirated copies---grainy, incomplete versions that hipped a new audience to Kirchner's fabulous comics. In 2015, French publisher Éditions Tanibis released a complete (and very handsome) edition of The Bus strips, along with The Bus 2, a sequel featuring new work. There’s also a line in occasional pop cultural humour with references to reality shows, super-heroes, comic conventions and the like. But from bar brawls that use multiple, impossible perspectives to portray chaotic violence to a gunfight with Wild Bill that lasts decades it’s Kirchner’s next-level imagination that is the ultimate draw. Dope Rider: A Fistful of Delirium is an enticing doorway into the spellbinding unreality of Paul Kirchner.

Dope Rider: A Fistful of Delirium by Paul Kirchner | Goodreads Dope Rider: A Fistful of Delirium by Paul Kirchner | Goodreads

From 1996 to 2002, Kirchner held the post of senior art director at Jordan, McGrath, Case & Taylor (later Arnold New York). Kirchner and his creative partner, writer Andrew Cahill, created a campaign for Zest body wash featuring football's Craig "Ironhead" Heyward. [5] In 2002, Kirchner returned to freelance illustration, working primarily in advertising. [5] Personal life [ edit ] Starlit Lovers – Lor Phoenix and KitsuneArt’s Touching “Sapphic Slice-of-Life Romance” Debuts at Thought Bubble October 30, 2023 There are some artists who seem to arrive fully in control of their aesthetic and their vision from the outset of their career. As they deliver new work over time, their development seems so subtle and incremental that it is barely discernible to the uninitiated. But when an audience becomes versed in the artist’s language—visual or otherwise— they can detect and delight in this seemingly imperceptible (but no less apparent growth). For these kinds of artists, reinvention is unnecessary because the artist’s ability to access that magical space of familiar novelty with greater ease becomes the reason to keep showing up. Every addition to their body of work seems of a preconceived whole. Even as themes and tropes are re-hashed, they sparkle with greater clarity and deeper nuance. There is comfort in their familiarity. The work transcends the limitations of the medium to achieve an emotional tone.In the 1970s and early 1980s, Kirchner did several dozen covers for the pornographic magazine Screw. He regularly did illustrations for The New York Times, The Wall Street Journal, and other publications.

Dope Rider: A Fistful of Delirium – An Enticing Doorway into

Softie 'Ironhead,' soap ad come away clean winners" by Heather Burns ( USA Today, December 16, 1997, Sports section, p.1) The magazine’s baked readers became big fans of the brilliantly illustrated and psychedelic comic featuring a skeleton cowboy known as the “Lone Stoner” who prowled the prairies of the American Southwest. Along the way, the cowpoke encountered bizarre characters, outlandish landscapes, and some badass weed! An unstoppable force fuelled by your favourite nightmares, inching closer and closer, each chug equalling the energy needed to fuel a small star, just when you think you're safe you wake up, to see you're already looking down the barrel of the gun.

Dope Rider is a concept EP based on the strip of the same name, created and illustrated by Paul Kirchner for High Times beginning in the 1970s. Awaiting the Collapse finally contains a previously unpublished essay by Paul Kirchner about his career and his influences, which helps put in perspective the works published in this book. Kirchner's power to evoke surrealist fantasy evinces throughout the miscellaneous comics collected in Collapse. Standouts include "Hive", a riff on Fritz Lang's Metropolis, and "Tarot", which plays out as a duel between a knight and a wizard (both strips were published originally in Heavy Metal). Forgotten Fads and Fabulous Flops: An Amazing Collection of Goofy Stuff That Seemed Like a Good Idea at the Time (Rhino, 1995)